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Well, what exactly is that? How does Barry Harris think about it? The Barry Harris harmonic method is one of the most unique ways of building chords there is in jazz piano. We’ve got a ton of awesome stuff to talk about so go to your piano and let’s get started! The Barry Harris Harmonic Method
#Barry harris workshop video full#
Piano and guitar transcriptions are included.Today’s lesson will talk about some Barry Harris harmony hacks.ĭo you want your melodies and chords to sound full and amazing? Do you want to grab your audience’s attention? Do you want to have fun exploring the chords of a genius level jazz pianist? Then, you’ve come to the right place. Detailing “sixth diminished” chord theory, chord movement and putting together effective voicings, this section is highlighted by Barry’s performance of “I Should Care”, (complete with harmonic analysis), featuring great overhead camera shots. Long awaited, this session gets right to the heart of Barry’s unique harmonic system. This session is vital for all rhythm section players and stresses the importance of using “upbeats” as they apply to each instrument “feeling 6″ while playing in 4/4 the usefulness of playing small chords voicings Barry’s voicings for the Blues, “rhythm changes” and more.
#Barry harris workshop video how to#
Intended for instrumentalists and vocalists, this 1st session presents Barry’s latest thoughts on chord and scale relationships feeling the rhythm of a line scale practice including expanded “Extra Note Rules” how to apply “extra notes” to any scale or grouping of notes the use of surrounding notes developing “turnbacks” in-depth line building work on “rhythm changes” – and more.
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The Barry Harris Workshop Video Part 2 highlights the following three chapters: The accompanying 156 page workbook includes a transcription of all the musical examples. Shot in a “clinic setting”, this beautifully filmed session is approximately 4 hours, 15 minutes in length and features great overhead views of Barry at the piano. Almost ten years after the completion of our original “Workshop Video”, it made sense to document a new wealth of information and nuance in a second volume. 45 mins.Īs in all of his creative pursuits, Barry’s quest to develop, expand and share this part of his work is tireless. Key points for the vocalist including warm-ups, phrasing, breathing, improvising and presentation are demonstrated and applied to a beautiful ballad. Here, accompaniment is addressed, along with the function and interaction of each instrument in the rhythm section. 60 mins.īarry’s unique approach to chord voicing and movement is outlined here demonstrated on several standards. Presented here are methods of turning scales into unlimited sources of improvisational ideas- applied to the blues, rhythm changes, Cherokee, Indiana and How High The Moon. 60 mins.Īpplication of the above to key song forms The opening section features an in-depth examination of scales and deals with the topic of both what and how to practice. The following areas are highlighted, each presented in a ‘clinic’ setting: It is the successful culmination of a two year project to document for the first time, the legendary teachings of Barry Harris. This professionally produced product comprises over 4 hours of video and includes a 112 page workbook. Berliner, University of Chicago Press 1994 “Harris’ (method) is unique in both its emphasis and detail, for it teaches students precisely how to transform the (basic theoretical) elements into credible phrases and focuses as much upon the creative processes of improvisation as upon its products, effectively clarifying the relationship between theory and performance practice in the jazz tradition.”įrom ‘Thinking in Jazz’, by Paul F.